Nadine Davidoff is a freelance book editor and writing/editing teacher with extensive trade publishing experience. She has worked as a Senior Editor at Random House and a Commissioning Editor at Black Inc.
Nadine’s clients include major publishing companies and literary agents for whom she undertakes manuscript assessment and development. Nadine also offers manuscript development services to established and first-time authors seeking editorial feedback before submitting their work to an agent or publisher.
Nadine has taught in RMIT’s Professional Writing and Editing course, she teaches fiction editing at Melbourne University and holds private writing and editing workshops. Since 2015, she has taught the three-day masterclass as part of the ACT Writers’ Centre Hard Copy Program. Nadine is a registered mentor in the Australian Society of Authors Mentorship Program.
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When I found Nadine Davidoff, by chance, while browsing the web, little did I know I’d stumbled upon one of Australia’s most experienced and talented literary editors. But what I also found was an editor who intuitively saw the interwoven themes in my memoir, Ubuntu. Nadine believed in my story and its impact. With her vast editing experience, professionalism and innate understanding of ‘what makes a great story’, my memoir became a truly inspiring and engaging read. For any writer, especially an emerging writer, it is a great privilege, indeed, to work on a manuscript with Nadine.
Every now and then you get lucky. I got lucky when Nadine Davidoff edited my book True Pleasures: A Memoir of Women in Paris. I only realised after the process was over how skilfully Nadine had managed me and my manuscript. With the most delicate touch she guided me to tighten, clarify, enrich and improve the text – all the while making me feel both confident about my writing and open to the process of change. Nadine understood exactly what I was trying to achieve with my book, and helped me to get as close as possible to that ideal. I could not have asked for a better experience, but more importantly, True Pleasures was a far better book because of Nadine’s immense editorial gifts.
Nadine helped me to locate key ideas in my structuring of Lovelands. She was deeply encouraging and insightful about my work and went above and beyond to support and guide me as an author. Not only is she a wonderful, clever editor but also an invaluable bigger picture thinker to have in your corner. My confidence in the project grew as we worked together, often because Nadine knew just the right question to ask to bring out something better in the work.
Nadine Davidoff was my first literary editor. Without her, my novel, The Book of Emmett, would have struggled. On reading the manuscript, Nadine saw with more clarity than I did what I was trying to do. She made suggestions and armed with them, I went through the book again. Nadine’s belief in the story, and also in my ability, was critical to my transition from journalism to fiction. She generously gave me confidence and direction. I cannot speak too highly of her as a professional. Skilled and intuitive, funny and wise, smart and kindly; what more could anyone ask for in an editor?
Nadine was assigned to me by Random House to work on Delinquent Angel. Her judgment was impeccable. She was able to position herself above the text, find the strengths and expose them. On structure, she saw the whole picture with clarity and then worked magic. Without her vision and understanding of the intention of the work, I doubt that it would have reached its potential. She collaborated with intelligent calm and enthusiasm. Lucky the writer who works with Nadine.
Nadine has an unnerving ability to destroy the dross we dress-up and dream about. When editing Lamarck’s Evolution she gently but certainly excised the words I loved the most; all of the beautifully descriptive prose that made me feel like a writer. And the work instantly transformed from a lumpy manuscript into a book. And I became a writer.
Not only is Nadine utterly reliable and professional,
she is as fast as lightning. Under pressure – and there is always plenty in the editing process – she never loses her cool and displays grace and humour. She was a joy to work with
I worked with Nadine Davidoff for four years while she was a senior editor at Random House. During this time, Nadine worked across a number of award-winning titles – fiction and non-fiction (commercial and literary). Not only is Nadine a talented and sensitive editor who brings out the best in the authors she works with, she is highly professional, reliable and efficient and works to tight production deadlines. She is a publisher’s dream, with that rare quality of being able to work both independently and collaboratively with author and publisher. I recommend her without reservation.
I participated in the Writing for Readers course at Melbourne University, in which I had the great fortune to gain expert guidance from Nadine on how to adapt my academic writing for a general audience. Nadine articulated so precisely the qualities that make a book a good read that I left after just one day with a clear vision of how I wanted to transform my work. I saw that, in addition to her skills as an editorial consultant, Nadine has the gift of being able to inspire writers, giving them tremendous encouragement to realise their potential.
Nadine edited my short story Honeymoon for Best Australian Stories 2005. Her advice was insightful, perceptive and subtle. She expressed her opinions with elegant clarity, giving me concrete examples to work with, yet somehow avoiding the restrictive clamping-down on the story this might lead to in the hands of someone less skilled. It’s always enormously reassuring when an editor can write beautifully herself, and Nadine’s gentle, intelligent approach to her work inspired great confidence. The story was vastly improved by her contribution.
Over the last few years, I have worked with Nadine Davidoff on three distinctly different publishing projects: the Prime Ministers’ Series, of which I was general editor; my semi-fictional work of social criticism, The Inspector General of Misconception; and Best Australian Stories. Not only is Nadine a highly experienced text editor, she also has impressive client/editor talents which are rare in publishing and which are critical to the production of creatively enhanced books.
Nadine Davidoff’s presentation on structural editing was FANTASTIC and was perfectly situated in our timetable. Not only is Nadine brilliant, her energy and enthusiasm is infectious. What an inspiration!
Nadine’s enthusiasm and technical knowledge was motivational – her approach to structural editing, the examples she provided and her powerpoint presentation was perfectly timed to inform our intensive editing workshop sessions. The knowledge I gained from Nadine’s presentation and subsequently having the opportunity to put that knowledge into practice in the workshops, will inform my own professional practice for life.